Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.
Welcome to the World You Live In. It’s a mess. It’s diseased, polluted, over-populated, and too close to the sun. But it’s all we have and we’re losing it fast, so we may as well have a good laugh before the sun reaches out and reclaims us.
Nothing is sacred, nothing is spared. Nothing is safe in a world accumulating too much ammunition for too few targets. Welcome to Mitchell’s world of ghosts who have to get the last word, ball-busting muses who torture for the hell of it, a woman who sheds rabbits from her eyes instead of tears, an office of petty-minded workers fused together in a nuclear holocaust and a world where you write grammatically correct essays or starve to death. But there will be laughter.
This book plays hide and seek with reality. You’re never a hundred percent sure if you’re in the normal mundane world or the world of magic and danger. The story moves swiftly and compellingly between worlds and raises questions about what we can and cannot believe in.
Some parts seem like drug trips gone wrong and others like the comfort and assurance of close relationships no matter how long they’ve lasted.
Murakami is a master at juggling worlds in such a way that sometimes the fantasy worlds are more real than the actual worlds.
The epic new novel from the internationally acclaimed and best-selling author of 1Q84.
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II…
I’ve read this once or twice a year since I first read it as a college student in the early 70s. This is a simple yet powerful story told in a tongue-in-cheek manner that makes the story seem subdued and quietly magical until the folks in the Forgotten Works stage a demonstration in self-realization that borders on the insane but has little or no impact on the citizens of iDeath, a commune-like community where time and purpose appear to be relative to each character.
It’s a short read that imprints itself around your mind like a walnut shell, leaving you wondering what just happened? What was that all about?
'A charming and original work... The parable itself is extremely relevant' The Times
iDEATH is a place where the sun shines a different colour every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of the counterculture generation.
'Delicate, fantastic and very funny... A highly individual style, a fertile, active inventiveness... It's cool, joyous, lucid and pleasant to read' Malcolm Bradbury
Read this one a few times. The lead character, Billy Pilgrim, leads a somewhat unhinged life bouncing around in time, abducted by aliens, and seeing all that he holds dear crumbling before his eyes. The bombing of Dresden was more an act of terrorism than an act of war and this novel puts the reader in the minds and lives of those who were bombed in a way that drives home the cruelty with which we treat our own kind.
What I’ve taken away from this book and all of Vonnegut’s work is the acceptance that humor and satire are OK as tools to tell a story of horror…that the sheer casualness of the tone says so much about where we’ve arrived as a species.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
I make a point of reading this novel before I start on each of my own novels. There’s something about the tone, the rhythm, the story, and the humor that attracts me to this book. As usual, the lead character (Tucker Case) is like a leaf blown at crazy angles by the winds of the rest of the world, a world that seems to have turned on him just because he’s him.
I like the way Moore creates the most unbelievable events but makes them seem so normal with the backdrop of a world sliding into madness…and he does it all with the most exquisite humor.
Take a wonderfully crazed excursion into the demented heart of a tropical paradise - a world of cargo cults, cannibals, mad scientists, ninjas, and talking fruit bats. Our bumbling hero is Tucker Case, a hopeless geek trapped in a cool guy's body, who makes a living as a pilot for the Mary Jean Cosmetics Corporation. But when he demolishes his boss's pink plane during a drunken airborne liaison, Tuck must run for his life from Mary Jean's goons. Now there's only one employment opportunity left for him: piloting shady secret missions for an unscrupulous medical missionary and a sexy blond…
I like the sheer disregard that Tom Robbins shows for traditional ways to tell a story. This one is about a romance that takes place in a package of cigarettes and it runs through a smorgasbord of strange characters and unlikely situations that pretty much sum up the hopelessness of a world too complex and out of control to understand.
I particularly like the casual tone of the storyteller and this is something I strive for in my own writing.
Still Life with Woodpecker is sort of a love story that takes place inside a pack of Camel cigarettes. It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a life on the streets? A dizzying ride between past and present, the novel unravels these mysteries, just as Eddie has decided to return to society after two decades on the streets, with the help of Jane, a woman whose intelligence and integrity rival his own. Will he succeed, or is…
“Crazy Eddie” is a homeless man who inhabits two squares of pavement in front of a bank in downtown Halifax, Nova Scotia. In this makeshift office, he panhandles and dispenses his peerless wisdom. Well-educated, fiercely intelligent with a passionate interest in philosophy and a profound love of nature, Eddie is an enigma for the locals. Who is he? Where did he come from? What brought him to a life on the streets? Though rumors abound, none capture the unique worldview and singular character that led him to withdraw from the perfidy and corruption of human beings. Just as Eddie has…
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